In the early 1800s, Pauline Bonaparte—Napoleon’s younger sister and a duchess of Italy—caused a sensation in Europe by posing nearly nude for a sculpture. The artist? Renowned neoclassical sculptor Antonio Canova, who portrayed her as Venus Victrix, the Roman goddess of love and beauty.

The marble statue shows Pauline reclining gracefully on a carved couch, partially draped in fabric and holding an apple—echoing the mythological prize awarded to Venus. The scandal wasn’t just the pose, but the fact that a real woman from such a powerful family would model this way.

When asked if it was true she had posed completely naked, Pauline reportedly replied with a smirk:

“Oh, but the room was very warm.”

Canova, ever the diplomat, had her wear a light gauze during sittings. Still, the sculpture captured both her beauty and her reputation for defiance. Today, the statue resides in Rome's Borghese Gallery, and it remains one of the most talked-about portraits of power, art, and audacity in the 19th century.